If you’re looking to program a more complex and energetic, jungle-style break, then working with REX files can be a great way to chop and change small snippets of the groove and program rolls. Many producers will start with these bread-and-butter drum sounds to build a foundation, then layer different and more interesting hits on top to create character and to disguise the more familiar sounds.įinally, drum ’n’ bass breaks are arguably the hardest to produce, due to the intricacies of the drum programming, which must be balanced by the need for everything to be extremely loud! A lot of the drum production is based around finding multiple hits with different characteristics and then layering them to form a big, upfront sound. For example, if a kick is 909-esque, then you know it will potentially poke through the mix, but leave enough space for a sub-heavy bass. It’s worth familiarising yourself with their characteristics, as it can be helpful to relate to them when hunting down new sounds. ![]() Even after all these years, the 808 and 909 kicks, claps and hats are still widely used, albeit with a variety of heavier processing, as they just sit so well in the mix, and work so well on the dancefloor. However, a lot of traditional-sounding house music – the likes of which currently gets a lot of airplay on UK radio – tends to be fairly safe with its drum choice in a bid to translate well in the club. If your favourite producer mostly uses big, house-style hand claps and live-sounding hats, and you choose to use a crunchy, dubstep snare, and harsh electronic sounds, then even if the rest of the track fits their style, they’re unlikely to play it, as it will sound out of place in the mix. In dance music in particular, these sound choices can have a big impact on how your music is perceived and which DJs are likely to play it. Over time, you’ll realise you’re gravitating towards particular styles of kicks, snares, claps and other hits, and this will play a massive part in defining your sound. Although Logic’s built-in library is pretty extensive and continues to grow, it’s important to start compiling your own collection of sounds through sample packs, sampling and even synthesis, as this will help you start to develop your own sound as an artist. In this workshop, we’re going to look at using three different approaches to write a hip-hop beat, a house beat and a drum ’n’ bass beat. ![]() That said, don’t be afraid to mix-and-match ideas, such as taking the MIDI from a Drummer track and using it to play more electronic or unusual sounds from a different instrument. ![]() Want to layer some tight-sounding electronic beats? Load up Drum Machine Designer so you can fine-tune the sounds to fit your track.
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